A Redetermination of the Newtonian Constant of Gravitation by Heyl P.R. PDF
By Heyl P.R.
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Additional info for A Redetermination of the Newtonian Constant of Gravitation
A FT ER NAT URE 5 E ) 6 Floating just slightly above the earth, nothing ﬁxes St. George in place—much less grounds or closes him in. Poised on the border of image and world, he is about to cross the threshold between painting and beholder. This permeability of the work of art, this crossing of borders—an interchangeability of spaces, of ﬁgures, of times—will have a crucial role to play across the parts of After Nature as well as “L I K E T H E SN OW O N T H E A L PS” 3 in each of the four works to follow, in The Rings of Saturn, Vertigo, The Emigrants, and Austerlitz.
But, of course, that isn’t how symbols work. If they are any good at all they are usually multivalent. ”31 “When the optic nerve / tears” (After Nature 37E, 33G) it is not “the promis’d end” (After Nature 110E, 95G), it is not the end of sight, nor is the end in sight. For one might still be compelled not only to look back at what came before, the tracing of the colorless image of the Earth, but also to look ahead, once again, as we had been commanded to do (“Späh scharf voran”). To read is to look and hear elsewhere.
Newspaper. Copyright © W. G. Sebald. Reprinted by permission of the Wylie Agency, LLC (The Emigrants 22). doubled when, a few months later, Naegeli, in an accident, falls “into a crevasse in the Aare glacier” (The Emigrants 15E, 24G). Selwyn is left in “a deep depression” during which it was as if he “was buried under snow and ice” (The Emigrants 15E, 25G). Here Sebald places a photo of the glacial scene: it is duplicated, more or less, at the close of the chapter, though, in a second incarnation.
A Redetermination of the Newtonian Constant of Gravitation by Heyl P.R.