Download e-book for iPad: After Effects 5 Bible by J. J. Marshall

By J. J. Marshall

ISBN-10: 0764536559

ISBN-13: 9780764536557

After results has been verified because the world's strongest and budget friendly answer for movement photographs pros. the applying has revolutionized the published undefined. evidence of the revolution was once transparent whilst the mid-1990s published a stunning array of visible artistry in advert campaigns and tv community promotions, the standard and the volume of which had by no means been seen.Version 5.0 was once a tremendous improve (3D, expressions, parenting, to call a number of) and model 5.5 might hardly ever be thought of a dot free up. actually extra special software program, this construct of After results boasts various new good points in addition to substantial improvements to its person interface. there are various new filters for concretizing any visible results that the brain can envision. also, After results 5.5 contains more suitable 3D-compositing services, larger command over expressions with the Expression Controls results, in addition to local aid for OSX, between a number of different improvements.The After results Bible appears into each point of the applying. no matter if you are thoroughly new to movement portraits, or an skilled hand trying to find how you can get the main out of the new improve, there's invaluable, time-saving info to be present in every one bankruptcy. There are step routines for every thing from developing complicated keyframe animations to animating cameras in 3D house. even if it truly is learn from front-to-back or used as a laptop reference, the After results Bible belongs within the movement photograph designer's library.

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F 4/3/02 12:24 PM Page 27 1 C H A P T E R Working in After Effects: Finding Your Way Around the Interface ✦ ✦ ✦ ✦ In This Chapter Establishing home base — the project window Knowing the contents of your toolbox Knowing your palettes B efore revolutionizing the world’s understanding of art history with your work in After Effects, you’ll probably benefit from investing a bit of time learning the actual logic behind the software. After you learn the fundamentals, you’ll find the program to be a clear channel for your creativity rather than a stumbling block on the way to realizing your vision.

566 566 567 567 570 571 574 576 577 578 580 581 582 Chapter 20: Vector Painting . . . . . . . . . . . . 585 Understanding Vector Painting . . . . . . Understanding the Paint tools . . . . Learning to select strokes . . . . . . Understanding the Composite Paint options . . . . . . . . . . . . . . . . . . . . . . . . . . . . F 4/3/02 12:24 PM Page xxxi Contents Working with Playback modes . . .

For example, imagine that you’ve brought a QuickTime movie into your After Effects project. After you save the project file, if for some reason it is inadvertently deleted, the QuickTime movie won’t be lost. What’s lost is the project file containing the link to the QuickTime movie. This will make more sense as you move through the chapter, but that’s the basic idea behind the actual contents of an After Effects project file. Importing media Now that you saved your project file, it’s time to move on to the fun stuff.

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After Effects 5 Bible by J. J. Marshall


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